To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works.  Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects".  Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] the Project (and any other party you may receive this
etext from as a PROJECT GUTENBERG-tm etext) disclaims all
liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from.  If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy.  If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS".  NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold the Project, its directors,
officers, members and agents harmless from all liability, cost
and expense, including legal fees, that arise directly or
indirectly from any of the following that you do or cause:
[1] distribution of this etext, [2] alteration, modification,
or addition to the etext, or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     etext or this "small print!" statement.  You may however,
     if you wish, distribute this etext in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word pro-
     cessing or hypertext software, but only so long as
     *EITHER*:

     [*]  The etext, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The etext may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the etext (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          etext in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the etext refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Project of 20% of the
     net profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Association/Carnegie-Mellon
     University" within the 60 days following each
     date you prepare (or were legally required to prepare)
     your annual (or equivalent periodic) tax return.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time,
scanning machines, OCR software, public domain etexts, royalty
free copyright licenses, and every other sort of contribution
you can think of.  Money should be paid to "Project Gutenberg
Association / Carnegie-Mellon University".

*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*





Typed and first proof by Dagny
dagnyj@hotmail.com





THE ELIXIR OF LIFE

BY

HONORE DE BALZAC



Translated By
Clara Bell & James Waring



TO THE READER

At the very outset of the writer's literary career, a friend,
long since dead, gave him the subject of this Study. Later on he
found the same story in a collection published about the
beginning of the present century. To the best of his belief, it
is some stray fancy of the brain of Hoffmann of Berlin; probably
it appeared in some German almanac, and was omitted in the
published editions of his collected works. The Comedie Humaine is
sufficiently rich in original creations for the author to own to
this innocent piece of plagiarism; when, like the worthy La
Fontaine, he has told unwittingly, and after his own fashion, a
tale already related by another. This is not one of the hoaxes in
vogue in the year 1830, when every author wrote his "tale of
horror" for the amusement of young ladies. When you have read the
account of Don Juan's decorous parricide, try to picture to
yourself the part which would be played under very similar
circumstances by honest folk who, in this nineteenth century,
will take a man's money and undertake to pay him a life annuity
on the faith of a chill, or let a house to an ancient lady for
the term of her natural life! Would they be for resuscitating
their clients? I should dearly like a connoisseur in consciences
to consider how far there is a resemblance between a Don Juan and
fathers who marry their children to great expectations. Does
humanity, which, according to certain philosophers, is making
progress, look on the art of waiting for dead men's shoes as a
step in the right direction? To this art we owe several honorable
professions, which open up ways of living on death. There are
people who rely entirely on an expected demise; who brood over
it, crouching each morning upon a corpse, that serves again for
their pillow at night. To this class belong bishops' coadjutors,
cardinals' supernumeraries, tontiniers, and the like. Add to the
list many delicately scrupulous persons eager to buy landed
property beyond their means, who calculate with dry logic and in
cold blood the probable duration of the life of a father or of a
step-mother, some old man or woman of eighty or ninety, saying to
themselves, "I shall be sure to come in for it in three years'
time, and then----" A murderer is less loathsome to us than a
spy. The murderer may have acted on a sudden mad impulse; he may
be penitent and amend; but a spy is always a spy, night and day,
in bed, at table, as he walks abroad; his vileness pervades every
moment of his life. Then what must it be to live when every
moment of your life is tainted with murder? And have we not just
admitted that a host of human creatures in our midst are led by
our laws, customs, and usages to dwell without ceasing on a
fellow-creature's death? There are men who put the weight of a
coffin into their deliberations as they bargain for Cashmere
shawls for their wives, as they go up the staircase of a theatre,
or think of going to the Bouffons, or of setting up a carriage;
who are murderers in thought when dear ones, with the
irresistible charm of innocence, hold up childish foreheads to be
kissed with a "Good-night, father!" Hourly they meet the gaze of
eyes that they would fain close for ever, eyes that still open
each morning to the light, like Belvidero's in this Study. God
alone knows the number of those who are parricides in thought.
Picture to yourself the state of mind of a man who must pay a
life annuity to some old woman whom he scarcely knows; both live
in the country with a brook between them, both sides are free to
hate cordially, without offending against the social conventions
that require two brothers to wear a mask if the older will
succeed to the entail, and the other to the fortune of a younger
son. The whole civilization of Europe turns upon the principle of
hereditary succession as upon a pivot; it would be madness to
subvert the principle; but could we not, in an age that prides
itself upon its mechanical inventions, perfect this essential
portion of the social machinery?

 

 

<< Previous Page --------------------------------------- Next Page >>

OR

Jump to page:

Click here to view the text-only version of this file

 

 

Copyright 2004 Net Industries.
Code and images may not be used without permission.
Texts courtesy of Project Gutenberg.